Graziani is a collector of objects, not a storyteller. With the meticulous eye of an archivist, he detaches things from their context, revealing them to us. Whether the object of his photographic exploration is a stack of aluminum profiles, a mock-up of a window section, or an artwork, it is 'objectified' in the same way, contributing portrait and to question Finstral's production facilities as well as the idea of the window itself.
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